Słowa kluczowe: horror films, horrorfiction, gore, fear, anxiety, Witty observations, delirium, stylistic devices, deconstruction, Krysinska, verslibre, typography, symmetry, rhythm, acedia, Catherine Mavrikakis, melancholy, death, psychological cannibalism , schizophrenia, Marguerite Duras, Michel Foucault, Cioran, fragment, obssessions, writing, loneliness, indifference, immutability, veteran discourse, war experience, morality, discursive ethos, Primo Levi, shame, genocide, Writing the Self, states of the Ego, script, drama triangle, Roberto Bolaño, Ciudad Juárez, Latin American literature, evil, sickness , narrative, engine of the narrative, Lydie Salvayre, Boris Cyrulnik, Hamsun , Spychalski, hunger, pain, Contemporary French literature, self‐narration, «Récitdefiliation», Annie Ernaux, notions of discomfort and shame, Canadian franco phone literature, interculturalism, mobility, cultural studies , ill‐being, therapy , Auto / biography, memory, Jewishness, masculinity, hatred, introspection, autobiography , Kafka, The Trial, Freud, psychoanalysis, law, Talmud, Lettres de la Marquise de M***au Comtede R***, Crébillon fils, eighteenth‐century frenchnovel, letter‐novel, galanterie mondaine, resentment, interdisciplinarity, minorities, change , democracy