Renzo Piano Museums. Sketch as synthesis of thought

Paweł Żuk


Renzo Piano believes that freehand drawing gives freedom, it is instinctive, and its imperfection provokes change and continuous improvement. The briefness of the sketch forces us into a synthetic way of thinking and to capture only the essence of things. Based on examples of Renzo Piano’s works from different periods, we can observe the evolution of his very personal vision of the museum, his thinking about form, the relationship with the environment, with the audience and finally his approach to issues of natural lighting in an exhibition space.

Słowa kluczowe: sketch, museum, Renzo Piano

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