Review: Lisa Jakelski “Making New Music in Cold War Poland: The Warsaw Autumn Festival, 1956-1968”

Marcin Strzelecki


1. Bylander C.E., The Warsaw Autumn International Festival of Contemporary Music, 1956–1961: Its Goals, Structures, Programs, and People, PhD thesis, The Ohio State University, 1989.

2. Guilbaut G., How New York Stole the Idea of Modern Art: Abstract Expressionism, Freedom and the Cold War. tr. Arthur Goldhammer, University of Chicago Press, Chicago 1983.

3. Jakelski L. M., The Changing Seasons of the Warsaw Autumn. Contemporary Music in Poland, 1960–1990, PhD thesis, University of California, Berkeley 2009.

4. Jakelski L. M., Making New Music in Cold War Poland: The Warsaw Autumn Festival, 1956–1968, University of California Press, 2017.

5. Kaczyński T., Zborski A., Warszawska Jesień, PWM, Kraków 1983.

6. McClary S., Terminal Prestige: The Case of Avant-Garde Music Composition, “Cultural Critique”, No. 12 (1989), Discursive Strategies and The Economy of Prestige, pp. 57–81.

7. Saunders F. S., The Cultural Cold War. The CIA and the World of Arts and Letters, The New Press, New York–London 2013.

8. Wellens I., Music on the Frontline: Nicolas Nabokov’s Struggle Against Communism and Middlebrow Culture, Ashgate, Aldershot 2002.

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