Słowa kluczowe: Chos grags rgya mtsho, Karmapa VII, rnam thar, secret life story, chos ’byung mkhas pa’i dga’ ston, visions, Avalokiteśvara images, Erwin Panfosky, Six-Armed Mahakala, Three Jewels, Three Roots, walka klas, klasa społeczna, świat przedstawiony w filmie, Bong Joon-ho, class warfare, social class, cinematic representation, Mahabharata, Pandavas, Kauravas, numbers, divisibility, calendars, lunar-solar cycles, radicalisation, de-radicalisation, Islamic fundamentalism, Internet, cognitive closure, counter-narrative, Digital Humanities, Babylonian Talmud, angelology, demonology, taniec, flamenco, tożsamość, transkulturacja, dance, identity, transculturation, Sukhāvatī, Czysta Kraina, kosmologia, soteriologia, Amitābha, buddyzm, Pure Land, cosmology, soteriology, Buddhism