Słowa kluczowe: Sosnowsky’s Hogweed, critical posthumanism, biopolitics, vegetal sexuality, matter, narrativity, strongly possible worlds, storyworld, bio art, non-human actors, intentionality, sign and signal, non-representational theory, Japan, Roland Barthes, Gilbert Simondon, body, abstract art, sculpture, posthumanism, dance, Butoh, Body Weather, space, reflexivity, girlhood, feminism, artivism, feminist artistic practices, confessionalism