Słowa kluczowe: design, design paradoxes, design as a pharmacon, modern existence, visibility, capitalism, consumption, nihilism, media, technology, Bruno Latour, Lev Manovich, Deyan Sudjic, Wolfgang Welsch, socially responsible design, sustainable design, data visualization, infographic, participation environments, speculative design, bioethics, bio art, biotechnology, High Definition technoculture, Art & Music Immersive Experience, Bauhaus, Laszlo Moholy-Nagy, reflected colour-light-plays, light art, vision in motion, face studies, posthuman definition of the face, face design and reconstruction, CGI, deep fakes, facial expression, media art, bio-art, digital games, game design, emotional design, discourse machines, new media, agency, nostalgia, Thomas Bernhard, photography, Extinction, picture