Słowa kluczowe: acoustic ecology, anthropology of sound, anthropology of water, bioacoustics hydrophonia, soundscape, blue humanities, water, ocean, sea epistemologies, Polynesia, blue anthropology, hydro-politics, sea metaphors, ship as metaphor, Polynesian canoe, Pacific studies, climate crisis, water in anthropology, stranding, wreck, the blue humanities, cultural disability studies, aquatic imagery, wet ontologies, more-than-wet ontologies, disability and marine life, Mateusz Pakuła, John Wilson, Kaite O’Reilly, hydro-art, hydrofeminism, blue media, hydro-ecotopy, digital blue archeology, global water crisis, ecosexuality, perspective, action, crisis of representation, the particular, modern–postmodern, the contemporary, ecological disaster, Public Lab, Community science, DIY methods, experimental cartography, open source data, environmental harm and trauma, art history, neo-avant-garde, plein-airs, environmental art, Hito Steyerl, Leonardo da Vinci, submarine, new media, social media, television, ANT, Kapuściński non-fiction, discourse of communism, the Left, PRL, Ryszard Kapuściński, water languages, blue-green infrastructure, ecohydrology, hydrocene, curating, curatorial theory, art, thinking with water, culture scenario, media studies, liminality, periphery, narrative medicine, generational memory, post-memory, Lemkos’ community memory, Ukrainian diaspora in Canada, migrants’ memory, innovation, communism, technology, vernacularity