Słowa kluczowe: Polish science fiction, Africa, foreign affairs, socialism, future, afrofuturism, African-American novel, neo-slave narrative, postrace fiction, speculative satire, comparative literature, Flying Africans, postcolonialism, postcolonial literature, Afrofuturism, Post-colonialism, African identity, Black utopia, retrotopia, science fiction, artificial intelligence, narrative, Golem XIV, Fragmenty dziennika SI, Stefan Morawski, Roman Ingarden, film, axiology, avant-garde art, neo-avant-garde art, avant-garde theory, continuity and discontinuity, avant-garde and neo-avant-garde, postmodernism, modernity, boundary, identity, otherness, metaphysical thinking, film criticism, film realism, Marxism, correspondence, Jagiellonian University, University of Warsaw, aesthetics, French digital games, French Touch, Alexis Blanchet, Guillaume Montagnon, game studies, performance, songs, performance studies, song lyrics studies, performative writing