Słowa kluczowe: Georg Kaiser, Jean-Victor Pellerin, alienation, dehumanization, expressionist drama, Victor Segalen, bilingual masterwork, French modernism, “spoken paintings”, King Saul, theatrical adaptations of the Bible, French Biblical theatre in the Middle Ages, Renaissance and Classicism, tragedy and the tragic, dialogism, intertextuality, intermediality, narration, Jean Echenoz, Éric Laurrent, Antoine Pickels, Belgian literature, Clinique d’un roi, metadrama, metahistory, Bible, Sartre, Camus, father, son, psychoanalysis, François Weyergans, François Habert, Clément Marot, Jean Lemaire de Belges, temple, architecture, allegory, Rhétoriqueurs