Ekspozycje Bunk’Art w Tiranie w kontekście albańskiej polityki pamięci

Tadeusz Czekalski

Abstrakt

Bunk’Art Exhibitions in Tirana in the Context of A lbanian Politics of Memory

The text examines how the Bunk’Art 1 and Bunk’Art 2 exhibitions, opened in 2014–2016 in Tirana fit in the main narrative trends of the Albanian memory of the communist past. The project of the Italian journalist Carlo Bollino has become one of the key elements of the new policy of socialist memory of the government of Edi Rama, and at the same time an attempt to create modern  cultural institutions in the old atomic bunkers from the time of Enver Hoxha, in which history becomes a space dominated by artists and journalists, and at the same time competitive towards professional histori ans

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