Słowa kluczowe: Egypt, Maghreb, Mizrahi, Jews of Egypt, Maghrebi Jews, Sephardim, Sephari Jews, WWII, Yiddish literature on the Holocaust, Jewish survivors, the Soviet Union, occupied Poland, ghettoized Jews, resistance, passivity, Sasza Blonder, André Blondel, art, avant-garde, Jews, Grupa Krakowska, Kraków, Jewish art collectors, Jewish collectors, provenance research, B’nai B’rith, Lvov, Milanowek, Holocaust, National Museum in Kraków, Association of Friends of Fine Arts, Nowy Dziennik, Polish artists of Jewish origin, Polish art collectors of Jewish origin, Jewish heritage in Kraków, Emil Beres, Rudolf Beres, Chaim Nachman Bialik, Maurycy Gottlieb, Jacek Malczewski, Jozef Stieglitz, Bund, Tsukunft, women, gender, interwar Poland, folklore, demonology, medicine, Jewish-Slavic relations, Jewish family, anti-Semitism, the image of the Jew, Aliyah, Bobowa, Jerusalem’s modern history, the Halberstam family, Hasidism, Germany, the State of Israel, Mainz, Mahzike ha-das, migration, orthodoxy, Abraham Stub, Zionism, integrationist, integration, assimilation, Polonization, Galicia, Polish-Jewish relations, progressive Judaism, Tempel synagogue, 19th century, preacher, Moritz Duschak, Samuel Landau, legio IV Flavia in the East, Parthian wars, Bar Kochba revolt, Jerusalem, Siege of Jerusalem (70 CE), “Camp of the Assyrians”, Third Wall, Second Wall, Damascus Gate, archaeology of Jerusalem, Hasmoneans, Herod, political Judaism