Słowa kluczowe: Cog, ships, Lastadie, merchants, Gdańsk, Art, science, collection, Hevelius, Breyne, Gottwald, Klein, Leibniz, Commerce, transnational, Britain, treaties, The Baltic Sea, Peter I, Catherine II, Russia in the 18th century, the Northern War, Russian/Swedish wars, Law of nations, law of nature, violence, war crimes, neutrality, British Press, image of Russia in 19th century, Russian Empire, Our Lady, miraculous images, Rzeczpospolita, Protestants, Swedes, Erasmus Gliczner, Iconoclasm, counter‑reformation, Fabian Birkowski, cult of images, Catherine the Great, Vigilius Eriksen, Russia, Denmark, portraiture, Architecture of the 19th and twentieth centuries, national identification, Neo‑Renaissance, Danzig, history of architecture, British Polish policy, Polish partitions, geopolitics, David Lloyd George, Gdynia, interwar, Baltic Sea, maritimity, propaganda, Free City of Danzig (Gdańsk), Jews, Germans, Nazi, repressions, pre‑war, British Foreign Policy, Poland, frontiers, Solidarity, Cold War, social movements, history of ideas, socialism, capitalism, democracy, modernity, crisis, New system of collective security, Russian invasion, Russian war, Central and Eastern Europe