Słowa kluczowe: Soviet Union, Russia, propaganda, perestroika, history, tv genre, France, Mission Chevalier report, S.E.S.C.A. report, media market, production, screenwriters, cultural politics, Scandinavia, character, screenplay, cultural specifi cs, fandom, transmedia storytelling, convergence, collective intelligence, creativity, medical drama, race, gender, post-feminism discourse, post-racial discourse, dystopia, technology, screens, futurism, techno-pessimism, information, journalism, newsreels, ethics, representation, mediatization, war, journalist report, documentary, tv fiction, political tv series, political fiction, politicotainment, tv narrative, historical tv series, heritage fim, post-victorianism, conservatism, nostalgia, axiology, intertextuality, script, reception (of media), author, screenwriter, showrunner, crime drama, tv production, fantasy tv series, transmedia story, literature, adaptation, narrative, tv series genre, compulsive tv viewing, binge-watching, media literacy, media reception models, quality television, competition, economy, management, history of television, American tv series, English tv series, serial narrative, social change, quality tv series, aesthetics, televisual apparatus, interactivity, mobility, participation, media protocols