The phenomenon of reciprocal mirroring of Bachelard’s study L’eau et les rêves:essai sur l’imagination de la matière, Debussy’s Des pas sur la neige and Thaulow’s La Rivière Simoa en hiver

Marija Simonović


This paper examines the relationship between Bachelard’s (Gaston Bachelard, 1884–1962) philosophical comprehension of the water element, Debussy’s (Claude Debussy, 1862–1918) musical interpretation of the water phenomenon and Thaulow’s (Frits Thaulow, 1847–1906) intellection of the same element in painting. More precisely, having in mind the snow as one of aggregate states of water, I will explore via examples of Bachelard’s study on water and dreams – L’eau et les reves: essai sur l’imagination de la matière(Water and Dreams. An Essay on the Imagination of Matter, 1942), Debussy’s composition Des pas sur la neige (Footprints in the snow, Book I, 1909–1910) and Thaulow’s piece La Riviere Simoa en hiver (Winter at Simoa river – from a series of images of the Simoa river, unknown date), the reciprocal relationship of their artistic perception, as well as their interpretation of the water phenomenon.

These three authors have devoted a significant “expanse” of their oeuvres to their interpretation of the phenomenon of water. In the mentioned “expanse”, their creative interpretations encounter, intertwine, and interrelate. In other words, in this “expanse” of interpretation of the water psyche, we can detect the correspondence between Bachelard’s, Debussy’s and Thaluow’s poetics of the water vastness. Therefore, through the analytical and comparative approaches, my aim is to emphasize the correspondence among Bachelard’s (philosophical), Debussy’s (musical) and Thaulow’s (painterly) representations of the water element and to demonstrate which compositional and expressive methods Debussy employs to embody his understanding of the phenomenon in question.

Słowa kluczowe: music, philosophy, painting, water

Bruhn S., Images and Ideas in Modern French Piano Music. The Extra-Musical Subtext in Piano Works by Ravel, Debussy, and Messiaen,Stuyvesant, NY 1997.

Grant F.E., The Art of Fritz Thaulow, “Brush and Pencil” 1906, Vol. 18, No. 5, pp. 206–210, [online] [accessed: 26.07.2016].

Howat R., The Art of French Piano Music Debussy, Ravel Faure, Chabrier, New Haven – London 2009.

McQueen A., Monet in Norway, “The Burlington Magazine” 1995, Vol. 137, No. 1113, pp. 865–866, [online] [accessed: 28.02.2016].

Moore E.H., Fritz Thaulow, Norway’s Master of Color, “Brush and Pencil” 1903, Vol. 13, No. 1, p. 15–25, [online] [accessed: 26.07.2016].

Parsons M.B., “Moonlight on Darkening Ways”: Concepts of Nature and the Artist in Edward and Lilian Steichen’s Socialism, “AmericanArt” 1997, Vol. 11, No. 1, pp. 68–87, [online] [accessed: 28.02.2016].

Popović Mlađenović T., Procesi panstilističkog muzičkog mišljenja, Beograd 2009.

Поповић Млађеновић Т., Клод Дебиси (1862-1918) и његово доба. Од „Змаја из Алке“ до „Заљубљеног фауна“, Београд: Парал –Музичка омладина Србије, 2008.

Rings S., Mysteres limpides: Time and Transformation in Debussy’s Des pas sur la neige, “19th-Century Music” 2008, Vol. 32, No. 2, pp. 178–208, [online] [accessed: 28.02.2016].

Roberts P., Images. The Piano Music of Claude Debussy, Portland, Oregon 1996.

Smith R.L. (ed.), Debussy Studies, New York 1997. [accessed: 24.02.2016]. [accessed: 24.02.2016].

Czasopismo w darmowym dostępie.

Czasopismo ukazuje się w sposób ciągły on-line.
Pierwotną wersją czasopisma jest wersja elektroniczna.